Bringing the Unseen to the Scene

Ableton Tutorial - Rhythmic Gated Patterns

In this tutorial I share a technique for turning any texture, pad, or soundscape into a tight rhythmic stuttering pattern. It's accomplished using sidechain options of the gate effect in Ableton Live. This type of effect is something you hear in a lot of psy dub, psy trance, and psybient music. You hear it used in many songs by artists like Shpongle, Ott, Bluetech, Phutureprimitive, and many more.

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Creative Resampling in Ableton

Resampling opens up a lot of creative potential when producing music in Ableton. I find it especially handy when I want to add a bit of randomness to a composition, because you can record the random variations in and edit them down into what actually sounds good to your ear. Let's say for example you have a BeatRepeat, LiveCut, or other glitch effect on the track with randomized settings. ...

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APC40 Python Scripts Review

When I first got my APC40, I was amazed by the out of the box functionality. I had done my research, and knew that it was what I wanted. It offers a lot of flexibility in the studio and for live performance. I still had this feeling like there must be more though. I started experimenting with it, and noticed I couldn't use a midi translator with it, and I was frustrated ...

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Future Bass Pads and Talking Bass with Xfer Serum

This is the first in a series of live streams I plan on doing. The focus will be on sound design, and in this episode, I create some future pads and talking bass techniques using Xfer Records' Serum. I hope you learn something. Follow me on social media to get updates about when I'll be streaming next.

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5 Ways to Create Gated Patterns in Ableton 9

Gate Effect with Sidechaining Using the gate effect in Ableton Live, you can create interesting gated patterns to the beat by turning on sidechain, and selecting a rhythmic pattern to receive audio signal from. (note: If you select a midi drum rack, you can also select any one of the drums individually) Then all you have to do is play with the threshold, attack, decay and release to get the sound just right. Add ...

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