The Keith McMillen QuNexus is a powerful and versatile midi controller. Each key has pitch bend, pressure sensitivity, velocity sensitivity and aftertouch. You can really use it to make your synth patches responsive and expressive. Channel rotation allows you to send midi data to multiple channels at once, so you can pitch bend or modulate them independently. You can also send CV (control value) to other synths or devices. The QuNexus has ...
In this tutorial I share a technique for turning any texture, pad, or soundscape into a tight rhythmic stuttering pattern. It's accomplished using sidechain options of the gate effect in Ableton Live. This type of effect is something you hear in a lot of psy dub, psy trance, and psybient music. You hear it used in many songs by artists like Shpongle, Ott, Bluetech, Phutureprimitive, and many more.
DJ Story: Great Music! Are you using Ableton?
Mirror Me (Zenon Rec.): Yep. All Ableton. Synthesizing, sampling and resampling. A minimalist approach.
DJ Story: Any plugins?
Mirror Me (Zenon Rec.): Oh yah. FM8, Sylenth, Massive, and many more.
DJ Story: What did you use for the bass?
Mirror Me (Zenon Rec.): I don't remember. Either Sylenth or UltraBass MX I think.
DJ Story: What about that ...
Alya Nereo's Hollow Bone Remixes compilation is now out on Jumpsuit Records. It features remixes by E O (a.k.a. Eric Oberthaler), Kyrstyn Pixton, Random Rab, Makhana, Mbanza, Antandra, Scott Nice, Ryan Herr Music, SriKaloGY, AtYyA, Kalya Scintilla, D.V.S*, The Human Experience - David Block, Lemurr, saQi, Queued Time Music aka Walking ॐ Om / DJ Osmosis, Living Light and ill-ēsha.
The compilation is an amazing journey through world music influences, bass music and ...
"There are few producers in the American psychedelic bass music culture rising faster than Antandra. Lost in Sound has been excited to feature the original productions from Jacob Louis‘ project."
I'm so happy to share the I have made an exclusive mix and interview for LostinSound. You can listen to the mix I put together of all original music and remixes below. It's also available for free download. Follow the link above to read ...
Here’s my latest Ableton Live tutorial where I explain some interesting ways to create morphing arpeggio effects using instrument racks, effect racks, velocity sensitivity, and a little creativity. As an example I made an arp that fades from
I am very excited to announce the release of my new album, Seed of Sound. It’s something that’s been in the works for a good long while, and it’s a bit of a culmination of countless music making hours. I made it a mix of everything
I just got this great midi controller application for my ipod touch called TouchOSC. It’s a $5 app with a lot of bang for the buck. It was a bit of a learning curve to get started, although I did manage to create my own custom controller layout using the
DJ Story here. Check out this remix I worked on with Paul Gotel for the band D:ream. It made it into itunes store. You can only hear about 30 seconds though without paying. It’s for their single titled “All Things to All Men.” I like the song a lot.
I’ve spent many hours discovering how to instant map my Korg microKONTROL to Ableton Live using the UserConfiguration.txt file, MidiPipe(optional), and the Librarian software that comes with the microKONTROL. I have successfully mapped the